Archive for bbc proms

Search terms for 7 days ending 2011-07-18

Posted in Blog Stats, Culture, Food, Music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 18, 2011 by Robin Gosnall

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BBC Proms 2011: Highlights

Posted in BBC Radio 3, Music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 27, 2011 by Robin Gosnall

Pianist Lang Lang, described by BBC Proms director Roger Wright as “arguably the best known classical artist in the world”, will become the first artist ever to perform at both the Proms in the Park and the Royal Albert Hall on the same night.

Classical music meets comedy at the Proms for the first time. Tim Minchin, the Australian performer, presents an evening of music and laughs with Sue Perkins, cabaret duo Kit and The Widow, pianist Danny Driver, soprano Susan Bullock and the BBC Concert Orchestra.

Ivan Fischer and the Budapest Festival Orchestra will take requests from the crowd in a highly unusual late night Prom. The audience will choose from a list of up to 300 pieces, none of which the orchestra has rehearsed.

The Spaghetti Western Orchestra will use rubber gloves and coat hangers to perform extracts from Sergio Leone film soundtracks. Roger Wright, controller of BBC Radio 3 and the director of the Proms, called them “five cracking musicians”.

Havergal Brian’s vast Gothic Symphony which has been rarely performed since it was composed in the 1920s will be played on 17 July when the 1,000 musicians required – including two orchestras and 10 choirs – are marshalled. Wright said: “Once we have fitted in the performers there will be hardly any room for the audience.”

Rossini’s William Tell is another work hardly ever performed. The opera lasts nearly five hours. Audiences will have a rare chance to hear this gripping story of Swiss nationalism conducted by the Royal Opera House music director, Antonio Pappano.

I can’t go on …

Overheard @ Concerts

Posted in Music with tags , , , , , , , , , , , , , , , , , , , , , , on April 11, 2011 by Robin Gosnall

A violist friend of mine tended to have comments for every occasion. After a run of the mill, decidedly average show she’d say: “Of all the concerts I’ve ever played in – that was one of them.”

Overheard at the end of a London Sinfonietta Prom: “Well, that’s two hours less I’ll have to spend in purgatory.”

I overheard this at Covent Garden, leaving the auditorium at the end of La Traviata about 20 years ago – a little old lady to her companion: “It must be difficult if a singer forgets their lines; at least if you are a dancer, you can jump around a bit.”

After a concert of minimalist music at the Bridgewater Hall (again from my viola playing friend): “That music must have taken almost as long to compose as it took to play.”

Overheard during the first interval of Parsifal: “Don’t worry, it gets jazzier from here on in …”

Overheard during a performance of a piece by Philip Glass: “I’ll be glad when we get to the middle eight.”

A member of the band before Act 2 of Philip Glass’s Akhnaten: “Here we go … another 45 minutes of bloody A minor!”

During a performance of Harrison Birtwistle’s The Mask Of Orpheus where a female character had to do little more than come to the front of the stage and scream, a man turned to his neighbour and said, “I know exactly how she feels!”

Normally the Promenaders annoy me with their stupid chanting, but I remember a chant from many years ago, after a performance of Melancholia II: “If that was melancholia, give us depression!”

I remember overhearing a lady in a cut-glass accent give her opinion on Wagner during an interval of Der Ring des Nibelungen at Covent Garden: “I don’t know what all the fuss is about Wagner. All he does is keep repeating the same tunes.”

In the early 80s in the Free Trade Hall in Manchester, I think it was the BBC Philharmonic (then called the BBC Northern Symphony Orchestra). Conductor (probably Edward Downes – can’t remember now) comes on stage to conduct a Shostakovich symphony. A woman sat in front of me turned to her companion and said loudly: “We always have this modern rubbish when he comes here”.

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